READ THE TERRIBLE TWELVES VIA TAPASTIC!

READ THE TERRIBLE TWELVES VIA TAPASTIC!
A YA fantasy by Emily Devenport and Ernest Hogan

Thursday, September 24, 2015

I'M NEWS FROM SECTOR 2337


I'm on newsprint again, and being of my generation, it feels good. (You kids that need to can Google “newsprint.”)

Copies of News from Sector 2337, No. 2, Summer & Fall 2015 have made their way to me. It features a piece by me, “A Calaca in a Spacesuit: Confessions of a Sci-Fi Artist” – that will appear as a Chicanonautica entry at La Bloga in the near future – illustrated by damnear life-size reproduction of my drawing “Inner Space Man.”


There's also an interesting article, "Chican@futurism, Ernest Hogan's High Aztech, and Tenochtology” by Josh Rios and Anthony Romero, that says a lot of nice things about me and my most infamous novel:

Chicano sci-fi novelist and short story writer, Ernest Hogan, is a future schemer par excellence who maniacally produces at the intersections of speculative fiction, Afrofuturism, amateur anthropology, and technoculture.

And:

Hogan, not unlike his protagonist in High Aztech, is a vehement cartoonist, doodler, note-taker, and writer – or better put, an amalgamation of all these.


As for tenochtology, it's:

. . . a word and concept created in the tradition of High Aztech's Esperanto language – a mixture of slang, Spanish, and Nahuatl – is meant to give credence to a varitey of Chicano/a activities and resulting objects.

. . .All Chicano/a practices, objects, and forms of knowledge count as tenochtologies: the application of Chola style make-up and its attendant devices, Zoot suit draping, monumental murals, masa and salsa, conjunto and norteño, cowboy boots, Ballet Folklórico, and pack trains. What kinds of futures do these objects offer up?

It does kinda sound like what I do. Maybe I should put tenochtologist on my résumé.

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