Looks like my novels, Cortez on Jupiter, High Aztech, and Smoking Mirror Blues will become available in trade paperback again. I 'll go into the details later. Right now I'm enjoying letting the reality sink in. The deal includes a "Best of" collection of my short fiction, which is long overdue, and will bring me a great deal of pleasure. I feel like I've accomplished a few things in 2013, and am looking forward to doing more in 2014. Life does not suck.
Here we
go again, Cyber Monday. The season of the gift is once more upon us.
Where did this year go? Anyway, while you're busy spending money and
getting the economy started again, let me offer some Ernesto products
for your consideration:
All
three of my novels are available as ebooks from the Kindle store, and
Smashwords:
High Aztech, a merry romp with
mind-altering viruses in a Mexico City where Aztec religion is all
the rage.
Smoking Mirror Blues, in which a
cyberresurrected Tezcatlipoca goes berzerk in a futuristic Hollywood.
Cortez on Jupiter, about a Chicano
graffiti artist who makes his way from the barrio to the stars!
I've
also got stories in three new anthologies:
“Novaheads,”
where my cyberpunk luchador, Steelsnake, takes on the dealer of a
weaponized chili drug, in Super Stories of Heroes and Villains
edited by Claude Lalumiìère.
My
latest interview is up at Smashwords. Find out things about my
mysterious past, current projects, and what I like to read. Get clues
as to how I got this way. Heh-heh!
Memories
. . . they tend to fade. You never know what will bring them back.
And when they do, it can be hard to document them, make them history.
Sometimes you have just let them become legend . . .
Like
when I was watching Disney's Fantasia
with Emily not long ago. We were enjoying the Stravinsky Rite
of Spring sequence, the one with the
dinosaurs, and memories floated up out of the murky recesses of my
brain:
It
was of my paternal grandfather, Grandpa Hogan. He
did art projects for the WPA during the Great Depression, drew the
California missions, and told of “going to the museum to
draw prehistoric animals for Walt Disney.”
The
timeline puts it about right – there's a possibility that the
Fantasia dinosaurs were
based on drawings he did!
Luckily,
I asked my Aunt Teri:
I
remember the stories! The same way you mentioned them. I always
thought the same about the Fantasia dinosaurs. I remember him
telling us that the work was temp and Disney offered him a permanent
position at lower pay than another offer he got, and he took the
better offer. Said he had no idea that Disney studios would become so
successful.
Did
he have any professional art training?
No.
He just loved it. I do remember him saying that his mother kept the
kitchen table covered with an oilcloth table cloth. You know the kind
that had a plastic-like top and a soft cloth underside. My
grandfather used to flip the cloth edge up and sketch while he drank
a beer after dinner. Your Grandpa said he would keep moving around
the table and sketching the underside of the cloth until it was full
and then Abuelita would get a new one. This after-dinner activity was
something both your Grandpa and his dad did. Art runs in the family.
Your grandpa said that his dad sketched mostly wild west art and
often some renderings of the old L.A. streetcars, he was a conductor
on one.
What
other education did he have?
He
graduated from Montebello High School. I'm not sure what year but I
think it was around 1929 or 30 maybe a year or two later. He was on
the gymnastics team! He did relate a story of one of his teachers, a
Mr. Carter, who was the brother of Howard Carter who discovered King
Tutankhamun's tomb in Egypt. Grandpa said his teacher brought letters
to class that he read from his brother, Howard, while the actual dig
was going on. This will give you an idea of the time period.
History
reached out and touched Grandpa Hogan, all the way from ancient
Egypt!
There's
no documentation. The Hogans have never been big on documentation.
Grandpa used to say he didn't have a birth certificate because “the
church burned down.”
So
like in John Ford's The Man who Shot Liberty Valance:
“This
is the West, sir. When the legend becomes fact, print the legend.”
Last
week, Søren Heinecke informed me that when he tried the links here
at Mondo Ernesto to reread Brainpan Fallout
– they were dead. LaSilencia.com with its archived material from
The Red Dog Journal
were gone. How was I going to prove that Brainpan,
and all the craziness connected to it, ever happened?
Luckily,
in a few hours it was back, and I found new links that can get you to
the original Red Dog Journal
version of Brainpan Fallout,
complete with all the original typos and mistakes, and the fun,
between-the-chapters self-promotional stuff. Get glimpses of my
personal life! Find out about the neobohemian scene in Phoenix back
in the Nineties!
Just to
make it easier for you, here's the links to the Introduction, Part One, Part Two, and Part Three, as they original appeared through the
pre-World Wide Web, FaxMo network, in the coffee house giveaway zine,
and the original Red Dog
website. Have fun!
It's all
got me seriously thinking about putting the complete, annotated
Brainpan Fallout out as an
ebook. Who knows? The world may finally be ready for it.
If not,
what the hell, it probably needs the shock therapy.
Thanks
to Paul Riddell, Kevin Mcveigh, Richard Palmer, Alex Jay Berman, and
again, Søren Heinecke for their interest.
is a recombocultural Chicano mutant, known for committing outrageous acts of science fiction, cartooning, and other questionable pursuits. He can’t help but be controversial. Everything he does offends or causes psychic harm. Rumor has it he’s doing it on purpose. Some people think he’s funny. Read on at your own risk . . . His novels are CORTEZ ON JUPITER, HIGH AZTECH, and SMOKING MIRROR BLUES. his short fiction has appeared in AMAZING STORIES, ANALOG, SCIENCE FICTION AGE, SEMIOTEXT(E)SF, SUPER STORIES OF HEROES & VILLAINS, WE SEE A DIFFERENT FRONTIER, and MOTHERSHIP: TALES FROM AFROFUTURISM AND BEYOND.
WITH MY STORY: "THOSE RUMORS OF CANNIBALISM AND HUMAN SACRIFICE HAVE BEEN GREATELY EXAGGERATED"
"THE BOOK AMERICAN GODS WISHES IT WAS." - DESPINA DURAND
THE DERANGED ADVENTURES OF FLASH GOMEZ IN THE 20TH CENTURY
Click on the above for the Introduction, follow the links to synapse-scorching climax!
Tezcatlipoca vs. Hollywood!
Guerrilla art from the Barrio to the stars!
“If Hunter S Thompson and Alfred Bester had a Chicano child, it would be this.” -- Dave Hutchinson
“Sometimes I read it front to back sometimes back to front. Sometimes I just drop down in the middle of it it and read anywhere. It's a great book.” – Misha Nogha
“. . . each of you with a wild mind and a cerveza or two under your belt should immediately buy it and see what truly imaginative, ALIVE, literature can be . . .” -- Arlan Andrews
John Ottinger III: "an excellent collection." Steven H. Silver: "explore what it means to be alien in different ways." The Guardian called it, "an excellent snapshot of modern SF." Library Journal says it's, "a choice volume for sf fans and a good introdcution to extraterrestrial encounter stories." Bookish Ardour: "some of the best stories of the last 30 years, by today's most exciting genre writers." Paperback or Kindle. Includes GUERRILLA MURAL OF A SIREN'S SONG!
THE GREAT MARS-A-GO-GO MEXICAN STANDOFF -- in which a private eye in Godzilla costume in fights for his life in stateroom full of gangsters on a casino/luxury liner headed for Mars. Order yours now!
Buy: 2020 VISIONS
Victor Theremin takes on the Border, radioactive marijuana, and the Singularity in RADIATION IS GROOVY, KILL THE PIGS
Buy: VOICES FOR THE CURE
Features HUMAN SACRIFICE FOR FUN AND PROFIT, the first Victor Theremin story!