I wrote this story. It’s probably the best I’ve ever written. Hell—maybe the best I’ll write ever. I sent it out. It got rejected. So I sent it out again.
I had a hard time getting it done. Anxiety froze me.
After submitting things for publication for over fifty years, I’m sick of the tedious frustrating routine.
It doesn’t help that in the 21st century most of my publications have come from editors coming to me. But since the universe refused to make things easy, I find myself with unpublished works piling up.
At this point in history I wouldn’t be surprised if I can't get anything published until a certain person drops dead . . .
It also seems that the current generation in the publishing world just doesn’t get a wild ‘n’ wooly counterculture survivor like me. Not to mention the readers who came along post-DaVinci Code / Harry Potter / Twilight / 50 Shades of Grey.
I’ve given up on New York, even though it’s more a state of mind
rather than a place these days. I keep having visions of people going to their
cubicles every day and hiding under their desks until it’s time to go home . .
. They just ain’t going to ever come to their senses. I ain’t never gonna be
rich. Boo hoo.
And I’m getting pretty damn old.
Most of my career has been because of lovable weirdos at the fringes who believe in me. Thank Tezcatlipoca for them.
I can’t stop writing. It just happens. Like a bad habit ingrained into the kinks in my twisted brain.What I need is a change of attitude. You thought the six-foot tall Aztec leprechaun was scary? Well, get a load of the new, improved six-foot tall 70 year-old Aztec leprechaun!
My doctor says I could last another 30 years. Wonder what I can do in that time?
No more worrying about being “commercial,” whatever that means. No more wondering if “they” will let me do it–I’m doing it anyway. To hell with the corporate industry and the corrupt
civilization it rode in on!
My home has always been the underground, the fringes where outliers do strange things. They're out there. I know. They come looking for me.
And now, I’m looking for them.
At the very least, I’ll feel better for having done what I do best, creative blasphemy, aesthetic terrorism, committing outrages . . .
Facebook comes in handy. Through their Messenger, I heard from an
old writer friend, Jaq Greenspon. He’s teaching in Lithuania and wanted to know
if I would be willing to talk to his class via Zoom.
A new experience and a chance to talk to Jaq again. I said yes.
I would have to be awake at 2:15 AM Arizona time, but it would be fun, a
chance to get knocked out of my comfort zone.
When the day came, I did my usual stuff, but instead of goofing
off in the afternoon, I took a nap. When I woke up, I had a cup of tea with caffeine—I
no longer abuse the legal drug but indulge now and then because I don’t believe
in Puritanism.
Then I watched a couple of silly old sci-fi flicks and some Warner
Brothers cartoons until it was time to set up the Hacienda Hogan video studio.
After the obligatory technical difficulties, I was connected to
Jaq and about 20 students in Lithuania, on the other side of the planet, next
to Russia. Only a few students were in the classroom with Jaq. The rest were at
home, watching through Zoom.
To make it stranger, the homebodies did not turn on their cameras,
so my screen was mostly full of black (and blank) boxes with strange (to me)
and fascinating names attached. I was definitely talking to another world, none
of the Spanish, Navajo, Hopi, or Mayan I run across in Arizona. To make it more
bizarre, the video of me was blurred, jumpy, and delayed.
I might as well have been broadcasting from a spaceship in the
middle of a magnetic storm.
We keep forgetting how big the planet—and the universe—is. How do
flat-earthers explain the need for time zones? Guess that’s why we need sci-fi.
The first question was, had I heard of Hulk Hogan. The young man
also noted that Hulk and I had the same kind of moustache. So, our cultures had
some things in common . . .
They were a bit shy, and also English was a second language for
them. This gave Jaq and I a chance to reminisce about science fiction
conventions in the old days, Marion Zimmerman Bradley’s belief that all humor
was immoral, and the time that he, Emily, and I were in a store and
brainstormed creative murder techniques inspired by a display of cooking
utensils.
There was a shrimp de-veiner that looked downright diabolical . . .
The questions I got were unusual. I ended up mostly explaining
myself, which I don’t enjoy, even though a lot of my writing is dedicated to
it. It's what I get for being such an unlikely character.
One young woman asked about writing. I tried to be helpful.
I had to explain what Chicano was. People outside of Aztlán
usually don’t know about the reality that I live in. Why do I use Spanish
words? I didn’t get into how some of them are other languages they probably
haven’t heard of. I hope I did a good job.
They had read a few of my stories that I suggested. This got me
onto how I was shocked by the overall angry tone of Guerrilla Mural of a
Siren’s Song: 15 Gonzo Science Fiction.That’s me, always at odds
with my environment, deconstructing our current predicament, to figure out what
to do next.
It’s always a confrontation. I should have told them how I believe
that bullfighting is the mother of all art forms . . .
I couldn’t get back to sleep, so I watched part of another wackazoid
movie, drifted off about the time I usually wake up. Didn’t sleep much. The
Global Barrio felt different, but it was still there.
Back in the Sixties, I was a rabid fan of the space
program. I watched hours of live coverage and did my first gonzo journalism
experiments because I thought I could do better than Norman Mailer’s Of a
Fire on the Moon in Life Magazine.
It’s all so different now. In 1969 the Earth stood still. All the
TV and radio stations were talking about space. The whole world was going
stark, raving sci-fi.
In 2026 it gets lost in the multimegamedia chatter of our
preApocalyptic dystopia. I could probably find someone who didn’t know it was
happening within walking distance . . .
Maybe that woman who didn’t believe in planets or dinosaurs is
still in town . . .
This planet is in some serious shit with stupid wars and a
batshit-crazy president . . . Anyway, I was sliding into my teens, and despite
people saying that it was all going to end in about five years, reaching the
Moon convinced me that anything was possible. For a couple of weeks the
whole mediasphere was all about space!
Now that we’re going back, people are too busy doomscrolling to
care. Even I am taking care of business rather than glued to a screen staring
at live coverage.
It does make it easy for me to check in, through different outlets
to see what’s going on.
Google News let me know that the movie of Andy Weir’s Project
Hail Mary has made David Bowie’s “Starman” popular again. The song was part
of the audio-montage intro of KPFK’s Hour 25 (a talk show about science
fiction) back in the early Seventies. Put me in a strange timewarp.
Via YouTube I plugged into TV Azteca’s adn Noticias as a bearded
intellectual talked about permanent settlements on the moon, while the news
gerbils interviewing him treated him like an idiot. Dontcha love progress?
Radio.garden allowed me to hear a NASA rep on Milenio Noticias talk
about “America’s not letting go of the moon” as he went on a colonial, jingoistic
rant.
Did he know that even though Commander Reid Wiseman is the
traditional white male American astronaut, the Pilot Victor Glover has since become
the first black person to travel into deep space, Mission Specialist 1
Christina Hammock Koch is female, and Mission Specialist 2 is Canadian. And
what about that European Service Module?
The launch was on April Fool’s Day. Trump babbled about how great
the war is. He seemed to be keeping his distance. No comments or cheerleading
like Nixon did. Guess the war had him busy, but this was happening because he
had originally, the first time he was elected president, asked NASA if they
could put an astronaut on Mars while he was still in office. It was explained
he would have to settle for the Moon instead.
When re-elected, he promised Mars as a goal for a NASA that would
be remade for his agenda. Musk and techi-types were delighted, but we all know
how good Trump’s promises are.
I knew a libertarian science fiction writer, Brad Lineaweaver, who
went around saying that getting out into space was so important that it would
be worth it to give the country to an Adoph Hitler if he could pull that off. I wonder what he would
think of this situation?
Then, there’s a technical problem! The zero-gravity toilet went on
the fritz. And was heroically solved by Christina Koch. That and her
demonstrating the possibilities of hair styles in a weightless environment made
her my favorite astronaut.
This was during Holy Week. No escaping the religious implications.
Like Apollo 8’s famous Xmas eve whole earth picture restaged in the now famous
hi-rez Earthset shot. Victor Glover quipped his quotable “There’s no atheists
on top of a rocket.” No mention of Coyolxahqui, Ixchel, Selene, or any other
Moon goddesses.
And curiously enough, Trump kept quiet about it all.
On Easter, we got an astounding headline:
Artemis II Mission Progresses Smoothly as Focus Shifts to Frozen
Urine Management
We got crystal-clear pictures of the far side of the Moon.
Soon there were AI fakes circulating. As an artist, I noticed that the fakes
are too perfect—tightly framed, symmetrical compositions. Try getting shots
like that from the window of a moving vehicle . . .
Then Trump announced that “A civilization will die tonight” and put the war on hold, but the ceasefire didn’t last long.
Finally, he gave the crew a call, sounding like a kid forced to
talk to a relative he didn’t like. He suddenly shut up. The astronauts were left staring into the camera
as the microphone floated in front of them.
But everybody seems to like the zero-gravity group hug photo.
I’m still wondering if we’re going to see a Moon landing in the
foreseeable future. This mission seemed rushed. And I can’t find much in this
Information Age about a lunar lander.
The Apollo Lunar Module was a celebrity. I had a plastic
model.
For the Artemis it isn’t clear if they’ll be using SpaceX’s
Starship HLS or Blue Origin’s Blue Moon. Artemis III is slated to test
the lander in 2027, and a landing planned for Artemis IV in 2028–election year!
Meanwhile, we’ve been promised a Moon base, and there has been no
mention of Trump’s Space Force. And the chaotic wars charge merrily along.
My wife brought in a bookshelf that used to belong to the Bombay Book Club (a family heirloom), and in her ingenious way found space for it in our already crowded house here at Hacienda Hogan.
This meant finding a new place to put my drawing board, and she amazed me again. It now sits in the corner of our laundry room, next to the kitchen. So I can now help out with cooking and clothes washing while creating my art.
It’s actually working out well.
There’s a shelf above it where I can put art supplies, and I’ve been putting interesting things on the walls. It’s turning into a regular Ernestospace!
And I see it when I do all the walking I do to keep myself moving around at 70. I can check out the sketchbooks I’m juggling, see what I’m working on, realize that something needs to be done, and pick up crayon or pencil and doodle around.
It’s got me drawing more, not as much as I’d like to, but more than I’ve done in years past.
One of my few regrets is that I didn't spend more time making art. I’m a pretty good artist, but more time would have made me a great one. Unfortunately, I’ve got this writing career that demands most of my time, and I need to work for a living . . .
Que sera, sera.
There’s also been an interesting side-effect. Drawing turns out to be good for my brain! Both my emotions and the neurological taking care of business run smoother, the way exercise keeps my body in tune. Any scientists working on this?
Above it all, I’ve got this art piling up, and it gets me itching to show it to people. Thank Tezcatliopoca for the webs!
I’m not enough of a snob for fine art and my work is too ugly and messy for commercial art, but there are people who like my stuff. Maybe something will come of it.
Each Spring gets weirder. I find myself gritting my teeth while my
eyelids twitch. I’ve been expecting some kind of global trauma ever since that
day in 2020 when I showed up at work and two supervisors in masks were standing
outside the locked gate. I haven't seen anything quite that apocalyptic but we
keep getting close.
After all, there’s a war. Another one. How many can we get going
at once before we can call it a World War? Do nuclear weapons have to be
involved? Do protests, riots, and acts of wholesale death and destruction here
at home count?
Here in the Metro Phoenix Area, we’ve skipped Spring and are
having a Classic Summer with Excessive Heat Warnings and a superbloom of desert
wildflowers while the East is getting buried in snow from a megastorm.
I dreamed of giant alligators living in the desert and a
bookstore doing great business at midnight.
Not quite being buried up to our waists in the sand and being
eaten by ants, but we’re just getting, er . . . warmed up.
My monstrous imagination is running wild again.
It’s entertaining if I don't think about how it can destroy . .
. everything. I still get a perverse kick out of the news being like a
wacko sci-fi from my youth (the Nixon era, yeah, I know, bizarre . . .) But
meanwhile, the far reaches of my brain merrily charge into deranged places of their own making.
Which is fun for me, but what about all of the rest of you?
The best strategy is to keep doing what I always do: Keep making
my interior dream channel into stuff I can sell, er, share with you all.
Step right up folks, we have a wild Chicano recently captured in
the still smoldering ruins of Aztlán. The poor creature suffers from a ghastly
condition–it’s got sci-fi growing in its brain! For just a few newly-minted
hundred-dollar coins, we’ll let you look through this device through the hole
we’ve drilled through his skull, and wires we’ve plugged into his amygdala,
hippocampus, and visual cortex to see it happen!
Yeah, it’s all fun until the world actually does come to an end,
but people have been telling me that all my life, and it hasn’t happened yet!
is a recombocultural Chicano mutant, known for committing outrageous acts of science fiction, cartooning, and other questionable pursuits. He can’t help but be controversial. Everything he does offends or causes psychic harm. Rumor has it he’s doing it on purpose. Some people think he’s funny. Read on at your own risk . . . His novels are CORTEZ ON JUPITER, HIGH AZTECH, and SMOKING MIRROR BLUES. his short fiction has appeared in AMAZING STORIES, ANALOG, SCIENCE FICTION AGE, SEMIOTEXT(E)SF, SUPER STORIES OF HEROES & VILLAINS, WE SEE A DIFFERENT FRONTIER, and MOTHERSHIP: TALES FROM AFROFUTURISM AND BEYOND.
WITH MY STORY: "THOSE RUMORS OF CANNIBALISM AND HUMAN SACRIFICE HAVE BEEN GREATELY EXAGGERATED"
"THE BOOK AMERICAN GODS WISHES IT WAS." - DESPINA DURAND
THE DERANGED ADVENTURES OF FLASH GOMEZ IN THE 20TH CENTURY
Click on the above for the Introduction, follow the links to synapse-scorching climax!
Tezcatlipoca vs. Hollywood!
Guerrilla art from the Barrio to the stars!
“If Hunter S Thompson and Alfred Bester had a Chicano child, it would be this.” -- Dave Hutchinson
“Sometimes I read it front to back sometimes back to front. Sometimes I just drop down in the middle of it it and read anywhere. It's a great book.” – Misha Nogha
“. . . each of you with a wild mind and a cerveza or two under your belt should immediately buy it and see what truly imaginative, ALIVE, literature can be . . .” -- Arlan Andrews
John Ottinger III: "an excellent collection." Steven H. Silver: "explore what it means to be alien in different ways." The Guardian called it, "an excellent snapshot of modern SF." Library Journal says it's, "a choice volume for sf fans and a good introdcution to extraterrestrial encounter stories." Bookish Ardour: "some of the best stories of the last 30 years, by today's most exciting genre writers." Paperback or Kindle. Includes GUERRILLA MURAL OF A SIREN'S SONG!
THE GREAT MARS-A-GO-GO MEXICAN STANDOFF -- in which a private eye in Godzilla costume in fights for his life in stateroom full of gangsters on a casino/luxury liner headed for Mars. Order yours now!
Buy: 2020 VISIONS
Victor Theremin takes on the Border, radioactive marijuana, and the Singularity in RADIATION IS GROOVY, KILL THE PIGS
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Features HUMAN SACRIFICE FOR FUN AND PROFIT, the first Victor Theremin story!