Once
upon a time in Amazing Stories,
there was a man named Mayhem.
Really,
he became Johnny Mayhem after he was disembodied on a jungle planet.
Voodoo? The word isn't used, but . . . he can now inhabit dead bodies
for a month.
The
Galactic League keeps bodies on tap for him on all their planets, so
they can send him to “hot spots” (that's Cold War speak for
places that could go commie) to bring “law and order” and
“sanity” through methods that could be considered terroristic –
like assassinating the president of Earth!
It's as
if in 1955, the editors of Amazing
looked out at America's leather-jacketed, switchblade-weilding
youngsters and came up with a hero for them. It's not exactly “Rock
and Roll hoodlums storm the streets of all nations” like in William
Burrough's Naked Lunch,
but it is action-packed pulp sci-fi sprinkled with wild, crazy ideas, just the sort of things to have in hour hand-held device for
diverting chuckles as you navigate our chaotic, riotous 21st
century reality.
And
Futures Past Editions is offering the first three Johnny Mayhem
stories for free. Better get it before they come to their senses.
After
way too long I have another book deal. I also participated in my
first conference call. Yeah, I'm a primitive – I still don't have a
cell phone.
It was
all about a multi-book deal with Digital Parchment Services, Inc. My
novels and a short story collection will be published as both ebooks
and print-on-demand paperbacks. High Aztech
will be first, followed by a short story collection. Cortez
on Jupiter and Smoking
Mirror Blues will come later.
These
will be on a new imprint that might be called Strange Particle. They
haven't made a final decision on that yet. I'll let you know when I
get the news.
They
have another imprint that has a brand-new website, Future Past Editions, that features “Off-Trail Science Fiction, Fantasy & Horror.” They have some ebooks for a limited time, available for
free.
It will be a
pleasure to be published by people who are fans of my work and are enthusiastic about promoting it. I've tried doing it all on my own,
and I've seen the limits of that. I look forward to getting their
advice and support.
The
books will have additional material, interviews, behind-the-scenes
pieces, and what ever else we can come up with.
Also,
before the release of the new High Aztech,
I will be shutting down the Kindle and Smashwords editions. So if you
want a complete collection of all editions of my books, buy them now.
I
really enjoyed Neal Thompson's A Curious Man: The Strange and Brilliant Life of Robert “Believe It or Not!” Ripley. I tend
to like biographies of cartoonists, but this one, like Robert L.
Ripley himself, stands out. It's a fabulous 20th century American
Dream about a buck-toothed outcast from Santa Rosa, California who
became a world-famous cartoonist, and much more . . .
He
was also a writer, a traveler, and an undocumented anthropologist who
really knew how to cherchez le weird and present it in bite-sized
packages, first as newspaper cartoons, then in books, on radios, in
film, and on television.
He
wasn't afraid to leap into what these days we call new media.
Remember, when he started drawing Believe It or Not!, the
newspaper comic section was something new.
And
it turned out that weird sells.
Ripley
was in some ways a successor to P.T. Barnum, though rather than the
Art of Humbug, Ripley always presented his oddities as the truth and
challenged the public to prove him wrong. He even questioned
well-known “facts” – explaining that, for instance, Buffalo
Bill never shot a single buffalo (they were all North American
bison).
In
a lot of ways, he was ahead of his time. His personal, informal
approach to journalism foreshadowed the gonzo style of Hunter S.
Thompson, travel writers like Tahir Shah and David Hatcher
Childress, and mondo documentaries. His lifestyle was a like a preview of Hugh Hefner's
Playboy Philosophy. When he drifted into political commentary, he was
an early version of Rush Limbaugh.
By
today's standards, he had some racist and sexist attitudes. But he
did love Asian women, and China. He also celebrated other cultures,
and introduced them to the American public, though some may object to
the sideshow style.
But
he loved the oddities he exploited, always feeling a bit odd himself.
He managed to “create a brand” – to use a trendy term – that
went on after his death, and is still going strong.
I
must admit, he was an influence on me. My wife and I live in a house
full of masks and strange artifacts. We go on road trips, and always
cherchez le weird.
Now,
if I could just find a way to package and sell it . . .
Being a
writer and getting published give me a great deal of pleasure. Sure,
it would great if it made me rich, but as I go about my non-writing
business, so I can scratch out a living, I often have a smile on my
face. There's this satisfaction that nobody can take away from me.
I can
never explain this to people who don't have it.
How did
I end up a writer? I'm not really sure.
Decades
ago, in a creating writing class, the teacher said, “If we're lucky,
one person in this room will get published.”
Guess
what? It was me.
And I
don't really know why it was me. I wasn't the best writer in that
room. It might have been that I wanted to be a writer more than the
others. I did dedicate my life to it. Made sacrifices. And I never
gave up.
I've
always lead a quixotic life, tilting with windmills, like a crazed
explorer searching through the jungle for a fabled lost city. It's
the way you make dreams come true.
It ain't easy. Not everybody can do it. Most people never have that
smile I get when I think about what I've done. It's easier to give up and lead a normal life.
What's
it like to live this way? I recommend the documentary House of the
Tiger King, with Tahir Shah
demonstrating what it's all about:
If you
don't have time for that, here he is talking about the film:
Meanwhile,
it may look like I'm sitting at my desk, doodling away at the
computer, but I'm really tilting with windmills and searching
through the jungle.
Back in
the Twentieth Century, when I was growing up, science fiction movies
were a rare thing. You had to be on the look-out for them. I'd catch
all I could – even the bad ones, which were most of them. There was
a lot of talk that good science fiction movies may not even be
possible.
Now
science fiction movies are almost a dime a dozen. They're everywhere. It's hard to keep up with them. I must admit, I don't bother
with a lot of them, even though they seem good. They're not a big
deal – just another sci-fi movie.
So when
I do run across one that I like – especially when I haven't seen
much social media chatter about it, I gotta review it.
I
remember seeing trailers a while back, thinking “that looks good.”
But everybody does special effects these days. They all look good.
Then
my wife and I caught it on Netflix, and were blown away.
Europa
Report has a documentary look
and feel that keeps making you think that it was actually shot on
location, even though you know that's impossible. My brain was
actually fooled into thinking it was real, while with most science
fiction movies these days, in the back of my mind, I know it's all pixels
dancing around. I was fooled, that is the true art.
It also
has an ingenious script that cuts back and forth in time – editing,
not time travel, as in the documentary structure. It builds suspense,
and keeps you guessing. It was edge-of-the-seat excitement rather
than, “how clever, I feel intelligent for sitting through this.”
And it's
hard science fiction – a very rare thing in movies. Yeah, there
are things that could be nitpicked about, but then, that's part of
the fun, isn't it? Europa Report
is the real thing, what people have been saying was impossible for
decades.
It gives
you a taste of the wonder of what really
could be out there, dares to demonstrate that some things are not
only worth risking your life, but dying for.
And
somehow the world isn't going wild over this movie. I don't
understand a lot of my fellow humans.
What was your humble Chicanonaut up to in 2013, A.D.? It's in the latest Chicanonautica at La Bloga! And happy 2014, while we're at it! So you can get caught up on what's been going on up to now:
is a recombocultural Chicano mutant, known for committing outrageous acts of science fiction, cartooning, and other questionable pursuits. He can’t help but be controversial. Everything he does offends or causes psychic harm. Rumor has it he’s doing it on purpose. Some people think he’s funny. Read on at your own risk . . . His novels are CORTEZ ON JUPITER, HIGH AZTECH, and SMOKING MIRROR BLUES. his short fiction has appeared in AMAZING STORIES, ANALOG, SCIENCE FICTION AGE, SEMIOTEXT(E)SF, SUPER STORIES OF HEROES & VILLAINS, WE SEE A DIFFERENT FRONTIER, and MOTHERSHIP: TALES FROM AFROFUTURISM AND BEYOND.
WITH MY STORY: "THOSE RUMORS OF CANNIBALISM AND HUMAN SACRIFICE HAVE BEEN GREATELY EXAGGERATED"
"THE BOOK AMERICAN GODS WISHES IT WAS." - DESPINA DURAND
THE DERANGED ADVENTURES OF FLASH GOMEZ IN THE 20TH CENTURY
Click on the above for the Introduction, follow the links to synapse-scorching climax!
Tezcatlipoca vs. Hollywood!
Guerrilla art from the Barrio to the stars!
“If Hunter S Thompson and Alfred Bester had a Chicano child, it would be this.” -- Dave Hutchinson
“Sometimes I read it front to back sometimes back to front. Sometimes I just drop down in the middle of it it and read anywhere. It's a great book.” – Misha Nogha
“. . . each of you with a wild mind and a cerveza or two under your belt should immediately buy it and see what truly imaginative, ALIVE, literature can be . . .” -- Arlan Andrews
John Ottinger III: "an excellent collection." Steven H. Silver: "explore what it means to be alien in different ways." The Guardian called it, "an excellent snapshot of modern SF." Library Journal says it's, "a choice volume for sf fans and a good introdcution to extraterrestrial encounter stories." Bookish Ardour: "some of the best stories of the last 30 years, by today's most exciting genre writers." Paperback or Kindle. Includes GUERRILLA MURAL OF A SIREN'S SONG!
THE GREAT MARS-A-GO-GO MEXICAN STANDOFF -- in which a private eye in Godzilla costume in fights for his life in stateroom full of gangsters on a casino/luxury liner headed for Mars. Order yours now!
Buy: 2020 VISIONS
Victor Theremin takes on the Border, radioactive marijuana, and the Singularity in RADIATION IS GROOVY, KILL THE PIGS
Buy: VOICES FOR THE CURE
Features HUMAN SACRIFICE FOR FUN AND PROFIT, the first Victor Theremin story!